Raghupriyā
Melakarta 42 — Chakra 7 (Ṛṣi (Sage))
Ārōhaṇa (ascending)
- S
- R₁
- R₂
- M₂
- P
- N₂
- N₃
Avarōhaṇa (descending)
- N₃
- N₂
- P
- M₂
- R₂
- R₁
- S
Signature phrase
S R₁ G₁ M₂ P D₃ N₃ Ṡ
The pakad (catch-phrase) is the 4-8 svara motif that defines this raga's identity. Internalise this phrase first — it's what your ear reaches for when the raga returns to its home base.
Listen to Raghupriyā
Arōhaṇa-avarōhaṇa exposition with tampura drone.
Sangeet Parijat — Ahobala's notes
- Graha (opening)
- Sa
- Aṁśa (king svara)
- Pa
- Nyāsa (rest svara)
- Sa
- Time
- After 2nd prahara
- Gīti
- Gauḍī
- Gamaka
- andolan
Post-Parijat mela #42 — DOUBLE vivadi (R₁ G₁ + D₃ N₃ both adjacent). The hardest mela to sing cleanly. Pa amsha as the only stable anchor; both tetrachords need andolan width to keep the vivadi pairs distinguishable. Tyāgarāja's 'Sāmajavaragamana' is in this mela.
Similar ragas
Top 5 by mūrchhanā + aṁśa + nyāsa + graha + gītī overlap. Match score shown.
- ṢaṇmukhapriyāG SaA PaN SaGauḍī100%
- ŚubhapaṅtuvarāḷiG SaA PaN SaGauḍī100%
- BhavapriyāG SaA PaN SaBhinnā95%
- DharmavatīG SaA PaN SaBhinnā95%
- DhavalāmbarīG SaA PaN SaBhinnā95%