Māyāmāḷavagaula
Mela 15 — sampūrṇa parent
Devotional; learner's mela
✓ Verified against Venkatamakhin mela 15; Sambamoorthy South Indian Music Vol I; iOS KarunattuPro Core/Raga/Ragas (RagaInfo, audited 2026-05-15)· 2026-07-02How we verify
Ārōhaṇa (ascending)
- S
- R₁
- G₃
- M₁
- P
- D₁
- N₃
- Ṡ
Avarōhaṇa (descending)
- Ṡ
- N₃
- D₁
- P
- M₁
- G₃
- R₁
- S
Signature phrase
S R₁ G₃ M₁ P D₁ N₃ Ṡ
The pakad (catch-phrase) is the 4-8 svara motif that defines this raga's identity. Internalise this phrase first — it's what your ear reaches for when the raga returns to its home base.
Rāga grammar
- Vādi (king svara)
- R₁
- Samvādi (queen svara)
- P
- Jīva (life-giving)
- R₁ G₃ D₁
- Nyāsa (resting)
- S G₃ P
- Graha (phrase-starting)
- S G₃ P
Listen to Māyāmāḷavagaula
Arōhaṇa-avarōhaṇa exposition with tampura drone.
Sangeet Parijat — Ahobala's notes
- Graha (opening)
- Sa
- Aṁśa (king svara)
- Pa
- Nyāsa (rest svara)
- Sa
- Time
- Morning
- Gīti
- Śuddhā
- Gamaka
- sphurita
Sphurita on Re₁ and Dha₁ gives the morning brilliance.
Similar ragas
Top 5 by mūrchhanā + aṁśa + nyāsa + graha + gītī overlap. Match score shown.
- BilahariG SaA PaN SaŚuddhā100%
- HamsadhwaniG SaA PaN SaŚuddhā100%
- MōhanamG SaA PaN SaŚuddhā100%
- DhātuvardhinīG SaA PaN SaGauḍī95%
- NāsikābhūṣaṇīG SaA PaN SaSādhāraṇī95%