Kēdāragauḷa
Janya of Harikāmbhōji (28) — audava-sampūrṇa (upāṅga)
Bright, expansive, teaching staple
✓ Verified against Sambamoorthy, South Indian Music Vol. IV — Kēdāragauḷa· 2026-07-02How we verify
Ārōhaṇa (ascending)
- S
- R₂
- M₁
- P
- N₂
- Ṡ
Avarōhaṇa (descending)
- Ṡ
- N₂
- D₂
- P
- M₁
- G₃
- R₂
- S
Signature phrase
S R₂ M₁ P N₂ Ṡ
The pakad (catch-phrase) is the 4-8 svara motif that defines this raga's identity. Internalise this phrase first — it's what your ear reaches for when the raga returns to its home base.
Listen to Kēdāragauḷa
Arōhaṇa-avarōhaṇa exposition with tampura drone.
Kṛtis in this rāga· 1 entry across 1 composer
AnnamācāryaPre-Trinity — Tallapaka composer of Tirumala · 1 kṛti
- Govinda, Govinda Yāni · Ādi Tāla · 120 BPM
Tip: open the raga × composer cross-search on /composers to explore any other raga.
Similar ragas
No Parijat notes for this raga yet — the catalog covers 77 of 81 living ragas.