Dhanyāsi
Janya of Hanumatōḍi (8) — audava-sampūrṇa
Folk-like, earthy, devotional
✓ Verified against Sambamoorthy, South Indian Music Vol. IV — Dhanyāsi· 2026-07-02How we verify
Ārōhaṇa (ascending)
- S
- G₂
- M₁
- P
- N₂
- Ṡ
Avarōhaṇa (descending)
- Ṡ
- N₂
- D₁
- P
- M₁
- G₂
- R₁
- S
Signature phrase
S G₂ M₁ P N₂ Ṡ
The pakad (catch-phrase) is the 4-8 svara motif that defines this raga's identity. Internalise this phrase first — it's what your ear reaches for when the raga returns to its home base.
Listen to Dhanyāsi
Arōhaṇa-avarōhaṇa exposition with tampura drone.
Kṛtis in this rāga· 2 entry across 1 composer
TyāgarājaCarnatic Trinity (Tri-mūrti) — the foundational period · 2 kṛtis
- Dhyāname Varamaina · Ādi Tāla · 72 BPM
- Nā Jīvadhāra · Ādi Tāla · 72 BPM
Tip: open the raga × composer cross-search on /composers to explore any other raga.
Similar ragas
No Parijat notes for this raga yet — the catalog covers 77 of 81 living ragas.