Sangeet Parijat
Mūrchhanā Explorer
Seven modal rotations of the Shadja-grama scale. Ahobala catalogues each as the root of a distinct rasa-palette; Carnatic ragas inherit from them through their preferred mūrchhanā.
Aśvakrāntā
Rotation from Ga · Modern that: Kalyāṇ
Rotation from Ga — gives the lifted tīvra-Ma feel.
Historical derived ragas (Hindustani lineage)
- Kalyāṇi
- Yaman
- Hamīr
Carnatic ragas catalogued here (26)
- Behag · Bhinnā · After 3rd prahara
- Bhavapriyā · Bhinnā · After 2nd prahara
- Dharmavatī · Bhinnā · After 2nd prahara
- Dhavalāmbarī · Bhinnā · After 2nd prahara
- Divyamaṇi · Sādhāraṇī · After 2nd prahara
- Hēmavatī · Bhinnā · After 2nd prahara
- Jalarnava · Gauḍī · After 1st prahara
- Kalyāṇī · Bhinnā · After 3rd prahara
- Kāmavardhinī · Sādhāraṇī · After 2nd prahara
- Lathangi · Bhinnā · After 2nd prahara
- Macekalam · Bhinnā · After 3rd prahara
- Misra Kalyani · Bhinnā · After 3rd prahara
- Nāmanārāyaṇī · Bhinnā · After 1st prahara
- Navanītam · Bhinnā · After 1st prahara
- Pantuvarali · Bhinnā · After 1st prahara
- Pāvanī · Bhinnā · After 2nd prahara
- Raghupriyā · Gauḍī · After 2nd prahara
- Rāmapriyā · Bhinnā · After 2nd prahara
- Riṣabhapriyā · Bhinnā · After 2nd prahara
- Ṣaḍvidhamārgiṇī · Bhinnā · After 1st prahara
- Ṣaṇmukhapriyā · Gauḍī · After 2nd prahara
- Śubhapaṅtuvarāḷi · Gauḍī · After 1st prahara
- Suvarṇāṅgi · Bhinnā · After 1st prahara
- Vacaspathi · Sādhāraṇī · After 2nd prahara
- Yaman · Bhinnā · After 3rd prahara
- Yamunākalyāṇī · Bhinnā · After 3rd prahara