The Trinity of Carnatic Music
Tyāgarāja · Muttusvāmi Dīkṣitar · Śyāmā Śāstri
154 kritis · Listen to any composition and practise singing with real-time pitch feedback
69
Tyāgarāja
60
Muttuswāmi Dīkṣitar
25
Śyāmā Śāstri
Tyāgarāja
1767 – 1847
Saint-composer of Tiruvaiyāru; founder-figure of the modern Carnatic kṛti. Sang exclusively to Śrī Rāma.
Signature: Sādhāraṇī · Kampita (sustained oscillation on jīva-svaras)
pancharatna
Endaro Mahānubhāvulu
Śrī · Ādi Tāla
Salutation to the noble — humility before greatness
bhakti
Endhukku Peddhalavale
Śaṅkarābharaṇam · Ādi Tāla
Why act like the great when devotion is enough?
Manasu Lōni Marmamulu
Hindōḷam · Rūpaka Tāla
Secrets of the mind — known only to Rāma
Giripai Nelakonna
Sahānā · Rūpaka Tāla
Established on the hill — Tirupati invocation
Mari Mari Ninne
Kāmbhōji · Ādi Tāla
Pleading with Rāma — 'again and again I beg you'
philosophical
Nidhi Cāla Sukhamā
Kalyāṇi · Miśra Chāpu
Wealth vs. Rāma — which is the real treasure?
Adigi Sukhamu
Madhyamāvati · Ādi Tāla
Happiness only comes by asking — seek with intent
Cakkani Rāja Mārgamu
Kharaharapriyā · Ādi Tāla
The beautiful royal path — Rāma-bhakti
Telisirāma Cintana
Pūrṇacandrikā · Ādi Tāla
Knowing the Rāma-tattva — pure consciousness
narrative
prayer
nama
pleading
kshetra
heroic
guru
devi
Muttuswāmi Dīkṣitar
1775 – 1835
Sanskrit-language saint-composer; codified the Śrī Vidyā tantra in song through the Kamalāmbā Navāvaraṇa, Navagraha, and Pañcabhūta-liṅga sets.
Signature: Bhinnā · Dhālu-kampana (rolling extended oscillation)
prayer
Vātāpi Gaṇapatim
Haṃsadhvani · Ādi Tāla
Invocation of Gaṇeśa — opening of every concert
kshetra
Akhilāṇḍeśvari
Dvijāvanti · Rūpaka Tāla
Goddess of the whole universe — Jambukēśvaram śrī
Ānanda Naṭana Prakāśam
Kēdāram · Miśra Chāpu
The radiance of joyful dance — Cidambaram-Naṭarāja
Mīnākṣi Mē Mudam
Pūrvī Kalyāṇi · Ādi Tāla
Mīnākṣi — fish-eyed goddess of Madurai grants delight
Tyāgarāja Yōga Vaibhavam
Ānandabhairavī · Rūpaka Tāla
The yogic splendour of Tyāgarāja-Śiva at Tiruvārūr (a Śaiva mūrti, not the saint)
Brahmā Bhajarē Mānasa
Vasanta · Rūpaka Tāla
Praise of Brahmā at Kumbhakōṇam — creator-deity
bhakti
Śrī Subrahmaṇyāya
Khamboji · Rūpaka Tāla
Praise of Subrahmaṇya — protection of the bhakta
Bālasubrahmaṇyam
Surutti · Ādi Tāla
The child Subrahmaṇya — pure, swift, grace-bearing
Cintāmaṇi Cintayāmyaham
Bhairavī · Rūpaka Tāla
Meditation on Cintāmaṇi-Gaṇeśa, wish-fulfilling jewel
Ardhanārīśvaraṃ Ārādhayāmi
Kumudakriyā · Rūpaka Tāla
Adoration of the half-male, half-female form of Śiva-Pārvatī
Nīlakaṇṭhaṃ Bhajeham
Kēdāragauḷa · Miśra Chāpu
Praise of the blue-throated Śiva who drank the world-poison
navavarana
Kamalāmbam Bhajarē
Kalyāṇi · Ādi Tāla
2nd āvaraṇa — sarva-āśā-paripūraka cakra (16-petalled lotus)
Kamalāmbike Avāva
Tōḍi · Rūpaka Tāla
Dhyāna kriti — meditation before the Navāvaraṇa āvaraṇas
Śrī Kamalāmbikāyai Kanaka
Punnāgavarāḷi · Ādi Tāla
Sixth āvaraṇa — sarva-rakṣākara cakra (all-protecting)
Kamalāmbā Saṃrakṣatu
Ānandabhairavī · Miśra Chāpu
First āvaraṇa — trailokyamohana cakra (square enclosure)
Śrī Kamalāmbikāyāḥ
Śaṅkarābharaṇam · Rūpaka Tāla
Third āvaraṇa — sarvasaṅkṣobhaṇa cakra (eight-petalled lotus)
Śrī Kamalāmbikā
Bhairavī · Jhampa Tāla
Fifth āvaraṇa — sarvārthasādhaka cakra (outer triangle)
Śrī Kamalāmbikāyāṃ
Sahānā · Triputa Tāla
Seventh āvaraṇa — sarvarogahara cakra (eight-triangle locus, healing)
Śrī Kamalāmbāyāṃ
Ghaṇṭā · Aṭa Tāla
Eighth āvaraṇa — sarvasiddhipradā cakra (inner triangle, siddhi-bestower)
Śrī Kamalāmbike
Āhirī · Rūpaka Tāla
Ninth and innermost āvaraṇa — sarvānandamayī cakra (bindu, supreme bliss)
Śrī Kamalāmbā Jayati
Āhirī · Rūpaka Tāla
Maṅgaḷa concluding the Navāvaraṇa — auspicious closing summary
navagraha
Sūryamūrte Namostute
Sauraṣṭra · Rūpaka Tāla
Salutation to the Sun — health, lustre and clarity
Candraṃ Bhaja Mānasa
Asāveri · Rūpaka Tāla
Worship the Moon — coolness, mind, soma-essence
Aṅgārakam Āśrayāmyaham
Suraṭi · Rūpaka Tāla
Taking refuge in Mars — energy, victory in war
Budhamāśrayāmi
Nāṭakurañjī · Rūpaka Tāla
Refuge in Mercury — intellect, learning, eloquence
Bṛhaspatē Tāraputē
Aṭāṇa · Triputa Tāla
Salutation to the preceptor of the gods — wisdom, prosperity
Śrī Śukra Bhagavantam
Pharaju · Rūpaka Tāla
The Venus-deity — preceptor of the asuras, granter of beauty
Divākara Tanujaṃ
Yadukulakāmbhōji · Rūpaka Tāla
Son of the Sun — the slow-mover, lord of karmic dispensation
Smarāmyaham Sadā Rāhum
Rāmamanōhari · Rūpaka Tāla
Constant remembrance of Rāhu — release from eclipses of fate
Mahāsuraṃ Kētumahaṃ
Sāramati · Rūpaka Tāla
Mahā-Kētu — completion of the planetary cycle, mokṣa-graha
panchabhuta
Śrī Kālahastīśa
Huseni · Jhampa Tāla
Śrī Kālahastīśvara — the air-liṅga at Kāḷahasti
Jambūpatē
Yamunākalyāṇi · Rūpaka Tāla
Jambūpati — the water-liṅga at Tiruvānaikkāval
Cidambarēśam
Bilahari · Rūpaka Tāla
Cidambarēśa Naṭarāja — the space-liṅga (no visible form, only ākāśa)
Aruṇācala Nāthaṃ
Sāramati · Rūpaka Tāla
Aruṇācalanātha — the fire-liṅga at Tiruvaṇṇāmalai
Ekāmranāthēśvaraṃ
Cāmaram · Rūpaka Tāla
Ekāmranātha — the earth-liṅga at Kāñcīpuram (made of clay)
devi
Tripurasundari Ranjani
Ranjani · Ādi Tāla
The beautiful one of the three cities — Tripurasundari
Ānandāmṛtakarṣiṇi
Amṛtavarṣiṇi · Ādi Tāla
She who showers nectar of bliss — the compassionate goddess
Kamalamba Navāvaraṇa — Ṣaṣṭhāvaraṇa
Pūrvi · Triputa Tāla
Sixth āvaraṇa — the Ajnā cakra, presided over by Kāmeśvarī
Marakatavallim Manasā
Kalyāṇi · Ādi Tāla
Contemplate Marakatavallī — Mīnākṣī in the mind
Kamalamba Samrakṣatu — Ṣaṣṭhāṃśa
Tōḍi · Rūpaka Tāla
May Kamalāmbikā protect — the sixth part of the Navāvaraṇa
Mahālakṣmi Karuṇā Rasa
Madhyamāvati · Rūpaka Tāla
Mahālakṣmi — the ocean of compassion
shaiva
vishnu
philosophical
Manasa Guruguharūpam
Anandabhairavi · Rūpaka Tāla
Contemplate the form of Guruguha in your mind
devotional
Dvārapālaya Māṃ Pāhi
Yamunā Kalyāṇi · Rūpaka Tāla
O doorkeeper, protect me — the devotee's plea at the temple gate
Tyāgarājaya Mahite
Bahar · Ādi Tāla
The greatness of Tyāgarāja — praise of the lord of Tiruvārur
Śyāmā Śāstri
1762 – 1827
The third of the Trinity. Composed densely-sculpted Devī-bhakti kṛtis in Telugu, Sanskrit, and Tamil, plus three landmark Svarajatis that every Carnatic student studies.
Signature: Gauḍī · Andolan (slow swing on jīva-svaras)
devi
Dēvi Brōva Samayamidē
Cintāmaṇi · Rūpaka Tāla
'O Goddess, now is the time to protect me'
Anudinamu Marakāva
Bēgaḍa · Miśra Chāpu
Daily remembrance — never forget the Mother
Kanaka Śaila Vihāriṇī
Punnāgavarāḷi · Ādi Tāla
Wandering on the golden mountain — Devī's play
Sarōja Dala Nētri
Śankarābharaṇam · Miśra Chāpu
She whose eyes are like lotus petals
Dēvī Brova Samayamide
Cintāmaṇi · Ādi Tāla
It is time for you to protect me, O Dēvī
Nannu Brovu Amma
Sāvēri · Miśra Chāpu
Protect me, mother — the cry of the child to Kāmākṣī
Mari Vērē Dikkevarayya
Ānandabhairavi · Ādi Tāla
Is there any other refuge? — Śyāmā Śāstri's cry of surrender
svarajati
Rāvē Himagiri Kumārī (Svarajati)
Tōḍī · Ādi Tāla
Svarajati no. 2 — the Tōḍī gem; bhakti-laden
Kāmākṣi Anudinamu (Svarajati)
Yadukulakāmbhōji · Miśra Chāpu
Svarajati no. 3 — Yadukulakāmbhōji, lyrical
philosophical
pleading
bhakti
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